Condition 1 & 2 — Multiple layers of acryl on canvas, sanded. Aluminium plates in the back, 58 ✕ 78cm. (2026)Learning, technically. Engraved wooden panels, lacquer paint, handmade aluminium frames. 40 ✕ 60 cm. (2025)Learning, technically. Exhibition at Not Today, Paris. (2025)Learning, technically. Exhibition at Not Today, Paris. (Exhibition leaflet) 2025.Unstable System (replica) — Learning Complexity and Disorder. Wood, lacquer paint, aluminium, 40 ✕ 60cm. (2026)DEEP (2026) Series of 4 works. (After the bar panels at La Cagnotte, Paris) Wood, lacquer paint, 50 × 70 cm. (2026)Working hours. Series of analogue photographs. Ongoing.Comparative Study of Politeness — Wood, lacquer paint, 74 × 58 cm. (2023)Suivez-moi (replica) — Learning to take position. Wood, lacquer paint, aluminium, 40 ✕ 60cm. (2026)An attempt to manipulate a century old image and rewrite a small piece of history by using the recto-verso technique. 2023.Invitation for Musée de la Question (Exposition Temporaire), 28.02—02.05.2026 at Ravisius Textor (Nevers)Musée de la Question. Exhibition text written by Jan Matthé. (2026)Topography of a Question, series of 3 anatomical plates. Pencil on paper, papier-maché frames, 40 ✕ 30cm. (2026)Comment ? Vraiment ? Pardon ? Pourquoi ? Formulation of a question, pedagogical panels. Textile, wood, plastic, 70 ✕ 50cm. (2026)Instrument de Réflexion, replique. Acryl on paper, papier-mâché, lacquer paint, 70 ✕ 50 cm. Analogue photography. (2026)Thumb twiddling. Series of analogue photographs. 2023.39. Een Volharding. Installation at Minigolf Beatrijs, Antwerp. 2024.How Somethings Work, text written for Lizzy Ellbrück's book Making Something from Some Things. 2023.
